Latest Garo Song, Abima Wangala 2022, Garo musical video, Garo musical band, BD. #garo #newgarosong

Latest Garo Song, Abima Wangala 2022, Garo musical video, Garo musical band, BD. #garo #newgarosong


Latest Garo Song, Abima Wangala 2022, Garo musical video, Garo musical band, BD. #garo #newgarosong
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Wangala is traditionally celebrated for two to three days – or up to a week – by two or three collaborating villages; though recently it has been celebrated for one day in metropolitan areas as an attempt to conserve the ancient heritage of the Garo tribe and to expose the younger generation to their roots. True traditional styles of celebrating Wangala can be found in remote “Songsarek” (animistic) villages such as Sadolpara in West Garo Hills district of Meghalaya, where people who worship the old gods still persist in their way of life; all the while rejecting Christianity. A much more hyped and commercialised variant of Wangala can be observed in the 100 Drums Festival held at Asanang in West Garo Hills, Meghalaya, where performers (who may or may not be Christians and not Songsarek) are invited from all over Garo Hills, and even from far off places such as Karbi Anglong, Tripura and Bangladesh which have sizeable pockets of Garo inhabitants. This mega event is held for three days and is a host to various fan favourites such as sports, food, art and culture. Tura, the cultural, financial and de facto political heartland of the Garos, is mainly represented by the students of Christian Girls’ Higher Secondary School, Tura (which teaches the dance to its students as an essential part of the curriculum) at every 100 Drums Festival.
Rugala (lit. The Pouring of rice beer) and Cha·chat So·a (lit. Incense burning) are the rituals performed on the first day by the priest, who is known as “Kamal”. These rituals are performed inside the house of the Nokma (chieftain i.e. the husband of the woman who holds power over an a’king) of the village. Dama Gogata, the dance with drums, flutes and assorted brass instruments by men and women in colourful dresses and proud headgear – a picture which is synonymous with visuals of Wangala – is performed on the last day of the days-long celebration.
During Wangala, people young and old dress in their colourful garments (Dakmanda”, Daksari, or Gando) and feathered headgear (do’me) and dance to music played on long, oval-shaped drums (Dama).
Katta Doka (talking in a singing style/traditional tribal rapping), Ajia, Dani Doka (describing Wangala by singing), Chambil Mesaa or the Pomelo Dance are performed during these days.
The Garo people are a Tibeto-Burmese ethnic group inhabiting predominantly in Northeast Indian states of Meghalaya, Assam, Tripura and Nagaland, and in some neighbouring areas of Bangladesh. Historically, the name Garo was used for wide range of inhabitant in southern bank of Brahmaputra but now refers to those who call themselves A•chik Mande (literally “hill people,” from A•chik “bite soil” + mande “people”) or simply A•chik or Mande and the name “Garo” is now being used by outsiders as an exonym.[4]They are the second-largest tribe in Meghalaya after the Khasi and comprise about a third of the local population.,

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